Thursday, January 1, 2026

Ekphrastic Folk Art Season 3, #1

                                                         What Happens 
                                        When Folk Art Gets Ekphrastic?


To find out, I invited several writers to mix it up; to play with this folkloric
image. Using their literary talents, they did just that. Jumping right into the challenge, they created inspiring storylines and conversations.

But before I show you the results for this issue, the first of two issues in Season 3, here are brief explanations of what folk art and ekphrastic are.
 
What is Folk Art? 

Folk art, in general - art made by folk - is 'decorative' art applied to functional (everyday) items. Popular examples include weather vanes, furniture, quilts,
and hand painted plates.

What is Ekphrastic?

Ekphrastic is a term that describes the practice of using words in poetry and 
prose to comment on or about a piece of visual art (i.e., painting, photograph, sculpture) and, for many, is often limited to what we call 'fine art' by trained 
artists. But, in fact, ekphrastic writing about art that embellishes common
items has been around since ancient times. For example, in The Iliad Homer provides lengthy discursive accounts of elaborate scenes on Achilles' shield 
(an every day, functional item).

The word ekphrasis is a combination of two Greek words: ex (out) and 
phrazein (to point out, explain). 

Be sure to check out Season 1 and Season 2 in our flipbook library. 

Now, onto the innovative works that open Season 3! 

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Charity Shop Doll

She still shouts out protecting 
the green, tells them to leave her
alone and not trample on her forest.
I hear the words: Seeds! Not bricks!
Seeds! Not bricks! that she cried
when she was torn from my arms,
tossed to lie in someone else’s upset.
For years, I had to live without our mascot,
march alone, whilst always searching.
Bricks rose turning green to a dirty brown.
Now on a tiny wooden chair, her eyes,
her arm reminds me how luck filled that
charity shop, but not the felled trees
over whose land she now sits, mourns for.
She can still hear them breathing.
 
Julie Stevens' poems cover many themes but often engage with the problems of disability. She is widely published in places such as Macmillan and OUP,  Broken Sleep Books, and Ink Sweat & Tears. She has five published pamphlets. http://www.jumpingjulespoetry.com

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What Oma Made for Me

Tired eyes, arthritic hands, (abundant heart) and endless love-- the artisan’s tools Oma used to make me a purple-ly whimsy doll. Where 
go I so goes she; we hand in hand (ma belle ami). Her button eyes 
fixed to the landscape of my dreams and Oma’s spirit stitched to 
every seam. The yarn is spun of marigolds and other hues of oranges fair such are the makings of her hair that Oma wove with pastel 
threads snatched from majestic dawns, and ribbons spooled from rainbows. Tenderly she packed the doll all cottony to soak up tears 
and soften sorrows then threaded in an amulet assuring safe tomorrows. Arthritic hands still clutch the doll she made for me 
and travel we (ma belle ami) and Oma too, though long ago of this 
world through. Yes, long ago of this world through.
 
Karen N. FitzGerald is a genre-fluid writer whose works are curated in several 
e-zines and print anthologies. Her debut chapbook is  ‘Language of Spring, published by Bottlecap Press https://bottlecap.press/products/_langknf

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She lives now

in shadows of once-upon-a-time where carefully pinned-together then sewn threads of orange, pink, and purple will never unravel. They carry memories of a tender life with a child who adored every inch of her.

A joy to behold, this open-eyed treasure cuddled in the arms of a dreamy girl whose life was drained of hope when disease struck her spine.

The doll stays out of the light so as not to fade her handwoven cloth. The textured fabric still holds the child’s forever-after kisses.  Their warmth keeps the night’s chill at bay.

Karen Pierce Gonzalez, an award winning writer and artist, has five chapbooks, five poetic librettos, and more to her credit. Linktr.ee/KPGFolkHeart

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Mami Wata

When I was young my mother sewed a doll
A mermaid made of purple corduroy
Hair of gold yarn around her face did fall
But this doll was not meant to be a toy

Placed on an altar hung from the ceiling
With other spirit dolls that she had made
Meant to provide protection and healing
Yet somehow this one made me feel afraid

Mother Water the meaning of her name
She makes her home in rivers, lakes and seas
In Africa she has a certain fame
Where locals offer gifts on bended knees

Representing both beauty and danger
Mami Wata preys upon the stranger
 
Mercedes Dugger is a native Californian currently residing in San Francisco with a talented poet and his beautiful cat. Co-authored Morning Tanka, a book of poetry, with Dane Ince.  https://www.facebook.com/mercedes.dugger

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