Showing posts with label folklore. Show all posts
Showing posts with label folklore. Show all posts

Thursday, January 1, 2026

Ekphrastic Folk Art Season 3, #1

                                                         What Happens 
                                        When Folk Art Gets Ekphrastic?


To find out, I invited several writers to mix it up; to play with this folkloric
image. Using their literary talents, they did just that. Jumping right into the challenge, they created inspiring storylines and conversations.

But before I show you the results for this issue, the first of two issues in Season 3, here are brief explanations of what folk art and ekphrastic are.
 
What is Folk Art? 

Folk art, in general - art made by folk - is 'decorative' art applied to functional (everyday) items. Popular examples include weather vanes, furniture, quilts,
and hand painted plates.

What is Ekphrastic?

Ekphrastic is a term that describes the practice of using words in poetry and 
prose to comment on or about a piece of visual art (i.e., painting, photograph, sculpture) and, for many, is often limited to what we call 'fine art' by trained 
artists. But, in fact, ekphrastic writing about art that embellishes common
items has been around since ancient times. For example, in The Iliad Homer provides lengthy discursive accounts of elaborate scenes on Achilles' shield 
(an every day, functional item).

The word ekphrasis is a combination of two Greek words: ex (out) and 
phrazein (to point out, explain). 

Be sure to check out Season 1 and Season 2 in our flipbook library. 

Now, onto the innovative works that open Season 3! 

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Charity Shop Doll

She still shouts out protecting 
the green, tells them to leave her
alone and not trample on her forest.
I hear the words: Seeds! Not bricks!
Seeds! Not bricks! that she cried
when she was torn from my arms,
tossed to lie in someone else’s upset.
For years, I had to live without our mascot,
march alone, whilst always searching.
Bricks rose turning green to a dirty brown.
Now on a tiny wooden chair, her eyes,
her arm reminds me how luck filled that
charity shop, but not the felled trees
over whose land she now sits, mourns for.
She can still hear them breathing.
 
Julie Stevens' poems cover many themes but often engage with the problems of disability. She is widely published in places such as Macmillan and OUP,  Broken Sleep Books, and Ink Sweat & Tears. She has five published pamphlets. http://www.jumpingjulespoetry.com

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What Oma Made for Me

Tired eyes, arthritic hands, (abundant heart) and endless love-- the artisan’s tools Oma used to make me a purple-ly whimsy doll. Where 
go I so goes she; we hand in hand (ma belle ami). Her button eyes 
fixed to the landscape of my dreams and Oma’s spirit stitched to 
every seam. The yarn is spun of marigolds and other hues of oranges fair such are the makings of her hair that Oma wove with pastel 
threads snatched from majestic dawns, and ribbons spooled from rainbows. Tenderly she packed the doll all cottony to soak up tears 
and soften sorrows then threaded in an amulet assuring safe tomorrows. Arthritic hands still clutch the doll she made for me 
and travel we (ma belle ami) and Oma too, though long ago of this 
world through. Yes, long ago of this world through.
 
Karen N. FitzGerald is a genre-fluid writer whose works are curated in several 
e-zines and print anthologies. Her debut chapbook is  ‘Language of Spring, published by Bottlecap Press https://bottlecap.press/products/_langknf

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She lives now

in shadows of once-upon-a-time where carefully pinned-together then sewn threads of orange, pink, and purple will never unravel. They carry memories of a tender life with a child who adored every inch of her.

A joy to behold, this open-eyed treasure cuddled in the arms of a dreamy girl whose life was drained of hope when disease struck her spine.

The doll stays out of the light so as not to fade her handwoven cloth. The textured fabric still holds the child’s forever-after kisses.  Their warmth keeps the night’s chill at bay.

Karen Pierce Gonzalez, an award winning writer and artist, has five chapbooks, five poetic librettos, and more to her credit. Linktr.ee/KPGFolkHeart

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Mami Wata

When I was young my mother sewed a doll
A mermaid made of purple corduroy
Hair of gold yarn around her face did fall
But this doll was not meant to be a toy

Placed on an altar hung from the ceiling
With other spirit dolls that she had made
Meant to provide protection and healing
Yet somehow this one made me feel afraid

Mother Water the meaning of her name
She makes her home in rivers, lakes and seas
In Africa she has a certain fame
Where locals offer gifts on bended knees

Representing both beauty and danger
Mami Wata preys upon the stranger
 
Mercedes Dugger is a native Californian currently residing in San Francisco with a talented poet and his beautiful cat. Co-authored Morning Tanka, a book of poetry, with Dane Ince.  https://www.facebook.com/mercedes.dugger

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Friday, February 28, 2025

Ekphrastic Folk Art Season 2, #3

 What Happens When Folk Art Gets Ekphrastic?

To find out, I invited several writers to mix it up; to play with this folkloric image. Using their literary talents, they did just that. Jumping right into the challenge, they created inspiring storylines and conversations. 

But before I show you the results for this issue of Season 2, here are brief explanations of what folk art and ekphrastic are. 


What is Folk Art? 

Folk art, in general - art made by folk - is 'decorative' art applied to functional (everyday) items. Popular examples include weather vanes, furniture, quilts, and hand painted plates.

What is Ekphrastic?

Ekphrastic is a term that describes the practice of using words in poetry and prose to comment on or about a piece of visual art (i.e., painting, photograph, sculpture) and has been around since ancient times. For example, in The Iliad Homer provides lengthy discursive accounts of elaborate scenes on Achilles' shield (an every day, functional item).

The word ekphrasis is a combination of two Greek words: ex (out) and phrazein (to point out, explain). 

Be sure to check out Season 1 in our flipbook library. 

Now, onto the excellent and innovative poetry and prose of Paul Brookes, Preston Danvers, Sam Szanto, and K Weber!

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To Dart Along

Not to dart along. Stilled. Here. 
A life painted on. Dry docked.
No shoal, no fleet. Alone.
Not line caught. Scales of grain crack.
Unworked, unworking. Stopped. Stopped.
The unsunk boat perforated
By worms aswim as rot. Here.

 
Paul Brookes is a shop asst, writer, editor and reviewer. His chapbooks include Ever Striding Edge, (Dark Winter Press, 2024). "The Dude Work," (Sherwood Press). Forthcoming: "Ganders: New And Selected Poems". He edits The Wombwell Rainbow and The Starbeck Orion.  

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Oasis

White flakes stained on cold, damp rust.
A boat with better days
is just as moving
as one on Lake Michigan,
a hand on chipped paint.
Waves kind, water void:
a generational gift,
a junkyard love child.
Scales coral-bright, one
with bowfins, trout—the storm’s eye,
a jewel lost to time.
Is this fresh fallen snow?


Preston Danvers (he/him) holds an MA in English literature and writes poetry. His work appears in Fairy Tale Review, Tilde, and Perhappened, among others.
Here's where he can be found talking about baking and fairy tales: 

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She always wanted to live by the sea

always talked about a life spent
painting, fishing, chatting
with dog walkers and café owners.

I use the money she leaves me
to buy a fishing boat, talk about
restoring it. 

My daughter waits
with brushes and paints.
We create gills and scales,

a hungry mouth, a heavy-lidded eye.
Inside the fish, writhing in stasis,
we place a serpent. ‘Eva’,

after my mother, on the starboard.
She always wanted to live by the sea.
She could never leave.

 
Sam Szanto, an award-winning, Pushcart prize-nominated writer, lives in Durham (UK). Her poetry pamphlet 'This Was Your Mother' was published by Dreich Press, 2024, and 'Splashing Pink' (with Annie Cowell), Hedgehog Press, 2023 was a Poetry Book Society Winter Pamphlet Choice. She also writes short stories; her debut collection 'If No One Speaks' was published by Alien Buddha Press, 2022.

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brush-stroked

someone ship-jumped
long ago: their rough-worn
vessel left knee-high in weeds
like a shack’s debris. it became

its own bole-drift. those land-
addled, wood-swelled, dehydrated
boat bones once creaked their
empty-bodied last song.

but at long last, the captain
returns, artist-handed. the ship
now canvas and fish-inspired, a sea-
glass blue-spangled eye gets

wide as gills breathing berry-colored
life. smart outlines, as emphasized
as map-drawn waterways, now
keep the captain afloat.


K Weber is an Ohio writer with 11 online books of poetry. K writes independently and collaboratively, having created poems from words (& more!) donated by over 300 people since 2018. K's work and publishing credits: 























































































































































 

 




Sunday, September 1, 2024

Ekphrastic Folk Art: #1, Season 2

 
 What Happens When Folk Art Gets Ekphrastic?

To find out, I invited several writers to mix it up; to play with this folkloric image. Using their literary talents, they did just that. Jumping right into
 the challenge, they created inspiring storylines and conversations.
                                                                                                                                                                 
                                                                                                                                                 
But before I show you the results for this issue, which begins Season 2, here are brief explanations of what folk art and ekphrastic are. 

What is Folk Art? 

Folk art, in general - art made by folk - is 'decorative' art applied to functional (everyday) items. Popular examples include weather vanes, furniture, quilts, and hand painted plates.

What is Ekphrastic?

Ekphrastic is a term that describes the practice of using words in poetry and prose to comment on or about a piece of visual art (i.e., painting, photograph, sculpture) and has been around since ancient times. For example, in The Iliad Homer provides lengthy discursive accounts of elaborate scenes on Achilles' shield (an every day, functional item).

The word ekphrasis is a combination of two Greek words: ex (out) and phrazein (to point out, explain). 

Be sure to check out Season 1, a digital book,  in our flipbook library. 

Now, onto the excellent and innovative poetry and prose of Susan Richardson, Matt Guntrip, Tommi Avicolli Mecca, Jenevieve Carlyn Hughes



Aviary

Mathilda welcomed the morning as she did each day, opening her second-floor bedroom window to gather in the birds perched and waiting on the painted white sill. She couldn’t remember how she came to be in this house, only that she was mostly happy, sharing seeds with her feathered family, nestling beneath wings for afternoon naps. She couldn’t remember a time when she spoke rather than sang, when birdsong wasn’t the only language to ease gently from her throat, notes settling on her tongue like pearls. After breakfast, she stood at the open window, eager for another breath of fresh air, peering out at the gargantuan leaves shading her tiny swaying aviary from the intrusive rays of the sun. Glancing down at the ground far beneath her, she wondered, for a fleeting moment, what it might feel like to open the front door, what it might feel like to fly.

  
Susan Richardson, author of two poetry collections, Things my Mother Left Behind (Baxter House Editions) and Tiger Lily, an Ekphrastic Collaboration with Jane Cornwell is also host of the podcast, A Thousand Shades of Green
https://athousandshadesofgreen.com  Tw/X: @floweringink 
 
 
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birds

 
we live among you
the sky our home
the air
the trees
we share them with
insects
bats
even the flying squirrels
and the monkeys that
acrobat between the 
branches
you share nothing
respect no one
your hunters
your skyscrapers
kill us
you put us in cages
clip our wings
eat us
all we want is to fly
you breathe with lungs
we breathe with wings

 
Tommi Avicolli Mecca is a queer southern Italian/American poet and writer who is currently working on a novel and a collection of short stories.

 
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T
he Gift
 
The craftswoman who made it
had an eye for what sells
and made the box homely
Her vision of some possibility
she might embrace
if circumstances granted

The business owner,
was mean, a bit surly
a trait his mother had done her best to temper
such are the pressures of commerce on behaviour

The delivery man had a sick daughter
he was worried about bills
when he delivered the package with care

The mother, opened the gift
feigning surprise for the children
having chosen it herself
The son, fixed the bird box to a tree
in the ideal position, 
because he was the practical one

The grandmother, on her knees
tending the herbs, paused to admire
reflecting, what the seasons might bring
before spring encouraged new hope into the box

The beauty, the power, the grace of nature
almost beyond the grasp
of the finest poets, musicians or artists,
perhaps best lived, in pure wonder,
a bit like love itself
 
 

Matt Guntrip, nominated for “Male Solo” for 2024  on the New Music Generator Scene is also part of Matt Guntrip and the Roadsters UK band. His poetry appears in several publications and his poetry/music videos have been included in  several GAS: Poetry, Art, Music video collections.
https://linktr.ee/matt_guntrip_music In: @matt_guntrip_music
 

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Unraveling
 

This is your life: here is where you lived
and where you almost died. The roadblocks,
the knots you tied yourself up in, the tangled
mess you made. Here are your lost loves,
the waylaid plans, the dreams deferred—
you couldn’t untangle them even if you wanted to.
We enter this world ready to be made and unmade
like the beginning of a thread, frayed at the end,
a gathering of past lives. Somehow, we become
a friendship bracelet, braided over the long hours—
reminders of childhood, heirloom embroidery thread,
yarn from a neighbor’s prayer shawl, grandmother’s
knotted rosary, gifts that might one day become
a bluebird’s nest. Ghost light, seaweed, stardust:
We weave our lives each day from the found things.
So take what you’ve gathered, what you’ve learned
along the way. Claim it as your own. If you let it,
life will strip away at your hard exterior like salt
water on a clam’s shell. Let it. You didn’t need
that varnish anyway. Now the new life begins.


 
Jenevieve Carlyn Hughes lives near the rocky coastline of Long Island Sound, where she often writes about the sea as a source of sustenance, livelihood, and mystical inspiration. Her poems have appeared in literary journals, anthologies, and scribbled in sand.
https://jenevievecarlyn.com Tw/X: coastal_poet


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