After the
bombing of Pearl Harbor (Hawaii) by Japanese
in December 1941 during World War II, Japanese Americans were forced to leave
their American homes and reside in internment camps in New Mexico and other places in the country for
the duration of World War II. Not given
enough time to gather necessary essentials many Japanese Americans were only
able to take with them the clothes on their backs. According to reports, life
in the camps was difficult with inadequate living and rationed food. Those who
were interred turned to art making as a source of comfort and emotional
survival. This style of folk art is known as gaman - a Japanese word meaning “bear the seeming unbearable with
dignity and patience”. Folk art pieces from this time - from teapots and furniture to musical
instruments and ornamental displays - can be seen in several exhibitions,
including “The Art of Gaman: Arts and Crafts from the Japanese American
Internment Camps,1942-1946”, a traveling exhibition that closes at the
International Museum of Folk Art in Santa Fe, New Mexico, now through October
7, 2012.
According to
the Museum of International Folk Art:
“The Art of
Gaman showcases arts made by Japanese Americans in U.S. Internment camps during
World War II. After the bombing of Pearl Harbor in December 1941, all ethnic
Japanese on the West Coast—more than two-thirds of whom were American citizens
by birth—were ordered to leave their homes and move to internment camps for the
duration of the war; including a camp in Santa Fe, New Mexico. Art making
became essential for simple creature comforts and emotional survival. These
objects—tools, teapots, furniture, toys and games, musical instruments,
pendants and pins, purses and ornamental displays—are physical manifestations
of the art of gaman,
a Japanese word that means to bear the seemingly unbearable with dignity and
patience. The traveling exhibition is organized by San Francisco-based author
and guest curator Delphine Hirasuna, and is based on her 2005 book The Art of Gaman,
published by Ten Speed Press. The exhibition closes in Santa Fe October 7, 2012.
(Photo: S.
Kawamoto, interned in Santa Fe,
painting of the camp. Natural wood slab, wedge of of fence post, paint. Collection
of Mary Tsuyuke Nakagawa. From The Art of Gaman by Delphine Hirasuna, copyright
2005 Ten Speed. Terry Heffernan photo.)”
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