Showing posts with label Museum of International Folk Art. Show all posts
Showing posts with label Museum of International Folk Art. Show all posts

Monday, March 20, 2017

Tramp Folk Art





Tramp Folk Art Exhibit



Tramp art, like most folk art, celebrates both the folk artist and the times within which he or she created these unusual items.  This distinctly American folk art style spanned approximately 60 years (1880-1940). According to most reports, it was finally recognized as its own genre of woodworking in 1959. It consists primarily of homespun and handmade functional items, such as sewing boxes, picture frames and cigar boxes.


Recognized for its textured, carved wood design, it repurposed items that might have otherwise been discarded. Picture frames, for example were the result of hours of carving a piece of scavenged wood or repurposing a pine cigar box so that it had an elaborate layered design. Techniques included cutting, notching and whittling the wood and then using nails and/or glue to create familiar shapes, like star, crosses, and hearts.


The hours it took to create a piece of tramp art suggest that those with long stretches of time on their hands were most likely the artists, including sailors. The theory that it was art created by tramps or hobos has been debunked.


Samples of this unusual folk art form are on display at the Museum of International Folk Art in Santa Fe, New Mexico. No Idle Hands: The Myths & Meanings of Tramp Art exhibit runs from March 12, 2017 through September 16, 2018. More than 150 examples of this folk art will include some pieces from France, Germany, Scandinavia, Brazil, and Canada  although most of the pieces will be from the United States. The goal, according to the museum is to  demonstrate the far reaching this folk art form is.


The exhibit will also include works by contemporary makers, thus establishing tramp art as an ongoing folk art form rather than a vestige of the past.


For more details about the show, click here.



Related Information


Monday, August 6, 2012

Japanese-American Gaman




After the bombing of Pearl Harbor (Hawaii) by Japanese in December 1941 during World War II, Japanese Americans were forced to leave their American homes and reside in internment camps in New Mexico and other places in the country for the duration of World War II.  Not given enough time to gather necessary essentials many Japanese Americans were only able to take with them the clothes on their backs. According to reports, life in the camps was difficult with inadequate living and rationed food. Those who were interred turned to art making as a source of comfort and emotional survival. This style of folk art is known as gaman - a Japanese word meaning “bear the seeming unbearable with dignity and patience”. Folk art pieces from this time -  from teapots and furniture to musical instruments and ornamental displays - can be seen in several exhibitions, including “The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps,1942-1946”, a traveling exhibition that closes at the International Museum of Folk Art in Santa Fe, New Mexico, now through October 7, 2012.

“The Art of Gaman showcases arts made by Japanese Americans in U.S. Internment camps during World War II. After the bombing of Pearl Harbor in December 1941, all ethnic Japanese on the West Coast—more than two-thirds of whom were American citizens by birth—were ordered to leave their homes and move to internment camps for the duration of the war; including a camp in Santa Fe, New Mexico. Art making became essential for simple creature comforts and emotional survival. These objects—tools, teapots, furniture, toys and games, musical instruments, pendants and pins, purses and ornamental displays—are physical manifestations of the art of gaman, a Japanese word that means to bear the seemingly unbearable with dignity and patience. The traveling exhibition is organized by San Francisco-based author and guest curator Delphine Hirasuna, and is based on her 2005 book The Art of Gaman, published by Ten Speed Press. The exhibition closes in Santa Fe October 7, 2012. 

(Photo: S. Kawamoto, interned in Santa Fe, painting of the camp. Natural wood slab, wedge of of fence post, paint. Collection of Mary Tsuyuke Nakagawa. From The Art of Gaman by Delphine Hirasuna, copyright 2005 Ten Speed. Terry Heffernan photo.)”